Showing posts with label New York City. Show all posts
Showing posts with label New York City. Show all posts

Friday, October 21, 2016

A Chat with Que Duong: NYC Photographer and Creative Director

Que Duong Photography: "Sorbet" series

I have recently come across the creative work of NYC photographer Que Duong who has truly inspired me with his unique style and perspective. Que began in the fashion and beauty industry working in content creation and has since launched himself to the status of creative director, sharing compelling and sometimes edgy stories through his creative photography. Read on to catch my recent chat with this impressive, creative photographer.

Jacquin: Hi Que! You mention that your main source of inspiration is “the anticipation of life’s normally overlooked moments.” How do you manifest this in your work?

Que: We often look for the “big boom” in our day. In contrast, I look for the small moment such as drinking tea and creating “the big boom” around these thoughts and moments.

Que Duong Photography: "Colour Walls" series

Jacquin: Your photography has great energy and an exciting perspective. How do you begin to visualize and conceptualize your compositions in your photography?

Que: Majority of my concepts originate on my current mood at the time. I embrace all the spectrum of emotions whether it is sad or joy - it helps me create a story to tell. From that point, I researched the symbolism and metaphors. I translate those emotions and use it as starting point to create my compositions and content.

Que Duong Photography: "The New Band" series

Jacquin: What was your inspiration for "The New Band"? Is there a message behind these works? "The New Band" actually reminds me of a 1940s photo of historical Chicago by Russell Lee. I love this photo series, Que and really all of your works!

Que: Visually, my inspirations were from the vinyl covers of music groups. In term of the underlining message, I wanted to tell a story of the daily lives of the Brooklyn kids; to showcase the beauty of the simple moments such as sitting on the stoop with your friends, standing on the corner waiting for the bus, or going to church. Overall, the message I wanted to convey and bring to attention is "black is beautiful" – ‘til this today, it is still one of my favorite shoots!

Que Duong Photography: "The New Band" series

Que Duong Photography: "The New Band" series

Jacquin: How do you go about choosing the models for your shoots? (random, search for them, or you know them personally)

Que: Majority of the times I have casting calls. This allows me to use models that fit the concept.

Jacquin: How does your cultural background or surroundings influence your work?

Que: My cultural background and surroundings are extremely influential in my work. I am a Vietnamese kid raised New Orleans, a city that is surrounded by Jazz and magic! This colorful city often serves as a color palette for my work. I enjoy and draw energy from our laid-back attitudes and philosophies. It helps me conceptualize the simplest stories.

Que Duong Photography: "The Jazzman" series

Que Duong Photography: "The Jazzman" series

Jacquin: Are there any events or experiences in your life that have impacted your career as a photographer?

Que: Yes, social media! When I first started out, I was solely focused on fashion. Since then, I came to find my love for lifestyles and still life photography. This started out with my first job with Revlon – creating their social media content.

Que Duong Photography: "Madame of the Cloud" series


Que Duong Photography: "Madame of the Cloud" series

Jacquin: What type of projects are you most looking forward to as you move forward as a photographer and artist?

Que: Right now, I am working on cinematography and getting back into my painting (a passion of mine). I am looking to doing more creative direction.

Que Duong Photography: "Madame of the Cloud" series

Jacquin: You create uniquely artistic self-portraits. Do your self-portraits function as a means of self-representation, or do you regard yourself more as a character telling a story? (Check out one of Que's self-portraits below.)

Que: My self-portraits are mirror reflections of who I am. It is my way of writing my autobiography in a creative way, haha.

Jacquin: What would the perfect day be like for you?

Que: A perfect day for me would be waking up on a sunny Saturday’s morning, watering my plants while drinking Vietnamese coffee and jamming to 80’s pop (my go-to song is When in Rome – The Promise). Start with a trip down to Union Squares to buy more plants and have lunch in Chinatown. I would commute back to my cozy Harlem apartment and binge watch old shows on TV while I edit photos. Wrap up my day with a candle lit night and dancing to old school r&b tunes.

Self-portrait of NYC photographer Que Duong.

Follow Que Duong's photography and creative direction through his website or via his inspirational Instagram page. 

Saturday, August 6, 2016

Artist Spotlight: NYC Photographer Wesley Stringer

"Cloth" Series. -  Copyright © 2016 Wesley Stringer. All rights reserved.

You may remember that I was looking for two great interns not too long ago and I am so glad that I've found not only two, but three fantastic interns for Interiors by Jacquin. These interns are quite talented so I've invited them to guest post here on the blog. Today's guest post comes from my intern Sunny Tsao, a New York based journalism student with a great eye for style and photography. Sunny recently interviewed photographer Wesley Stringer for this Artist Spotlight feature. 

After finishing my sophomore year of college and returning back home for summer vacation, I had the pleasure of meeting and working with New York City based photographer, Wesley StringerOriginally from Oklahoma, Wesley moved to New York City in order to satisfy his aspirations in photography. Wesley’s photographs range from rusty and abandoned outdoor areas, to aquatic floral gardens, to subdued portraits of high-fashion models.

"Cloth" Series. - Copyright © 2016 Wesley Stringer. All rights reserved.

"Cloth" Series. - Copyright © 2016 Wesley Stringer. All rights reserved.

Wesley Stringer’s inspiration...

I've had a pretty wide range of influences. I was initially most interested in figurative work and was most drawn to images like those of Paolo Roversi and Sarah Moon. In recent years however I've become more focused on environment and have been influenced by people like Nadav Kander, Rinko Kawauchi, Alec Soth, and Michael Kenna.

How does your personal style reflect itself in your photographs?

I don't think an artist can have a clear voice unless the work their making is a clear reflection of themselves. In that sense, I do hope that my work is a reflection of my values and tastes. I think much of my work exhibits an optimism and idealism that I value. I have little interest in shock or any kind of abruptness or grotesquerie. I want my work to be quiet, understated, and contemplative.

Copyright © 2016 Wesley Stringer. All rights reserved.

What is your ideal setting to shoot?

Cloudy rainy days.

If you were to travel to some place, what gear do you take with you? What's your favorite lens?

Hassleblad 500c/m (2) w/ A12 back (2), 150mm f/4, 80mm f/2.8, a whole bunch of Portra 400 120mm. Usually some Ilford Delta as well. Also a Canon EOS 650 and a few rolls of Portra 400 35mm.

Where do you see your passion taking you five years from now?

Exhibitions and gallery work is the eventual goal. I'd like to begin publishing books by then as well.

Copyright © 2016 Wesley Stringer. All rights reserved.

How do you educate yourself to take better pictures?

Practice is the only real way to take better pictures. I think spending a lot of time searching for inspiration is a bit of a waste. The best new avenues come to you in the moment, and can't really be manufactured otherwise.

That being said I do think there is great value in spending time meeting with other artists and learning their processes and perspectives. Becoming too insular is a trap I find myself sometimes falling into.

I also think physicality is important. For me, a photograph is never finished until it's printed. Multiple prints can give you a better idea of sequence and narrative, and show you what you may be lacking or might have otherwise missed.

Copyright © 2016 Wesley Stringer. All rights reserved.

What's your ideal shoot like? Setting? Subjects? Gear? Describe how you picture it to look like.

I don't really think this exists for me. Most of my favorite work has been discovered. I'm not much of a planner, and when I've tried to build out a narrative beforehand it has often been to my detriment.