I have been so inspired by embroidery artist Lylo Ghirardi, a Spain based creative entrepreneur bringing the fiesta to your shirt collars and more! I love that Lylo's collar designs are colorful, creative, and always one-of-a-kind. I definitely NEED one of these amazing collars in my life! Lylo is turning average outfits into celebrations one embroidered collar at a time.
Jacquin: When
did you first become interested in embroidery? How long did it take
you to master your embroidery skills?
Lylo: I
started embroidery around 7 years ago. I had the urge to distract my
myself away from the computer screen and work closer with craft
materials and create work with my hands. I’ve always had curiosity
with crafts, as a child I was an advanced crafter! I loved creating
things with my hands, and I used to play with clay and used
plants/flowers as condiments of fictitious salads. I started a course
that opened the door to learning a whole new world step by step. I
studied with different teachers, some with more technical profiles,
others more playful. Overall, the techniques, the tricks, visions and
advice of my teachers guided me, and later on gave me the courage to
create my own style. Every experience and style left its footprint.
Alongside the cocktail of stitches, textures and secrets, I started
to visualize my projects.
The key to achieving a non-traditional embroidery piece is the media you use. Being creative and imagining a canvas on almost any surface, like on a pair of sneakers, a gate or a piece of garment is the secret. The stitches and materials may be the same, but the object is transformed!
Jacquin: What
gave you the brilliant and unique idea to put your embroidery
designs on shirt collars?
Lylo: Two
years
ago a gallery-shop in Madrid invited me to organize an
embroidery
workshop with them. It was my first time teaching that made me think
about an original project, which usually takes me about 6 or 7 months
to finally develop the idea for
an
embroidered collar. The
idea was to
apply
embroidery to something useful and
utilitarian, and the idea of shirt collars came to me.
Not just teaching how to make stitches, but
teaching new ideas on how to utilize embroidery techniques
creatively.
The response from my
students
and the
community
to
these embroidered collars was
incredible…
So I started to produce other collar embroidery themes. This was a
enjoyable process and added something new to my products (including
Mexican, Finnish, and
Portuguese
collar
design inspirations)
I
also make
collars with patterned fabrics and
then embroider
over the patterns
and images…
this
is
another embroidery
applications
that has
a really unique look.
Jacquin: What inspires you creatively?
Lylo: Anything could inspire me, I’m very curious, and I’m walking in life with a lot of attention to anything that happens around me. A little detail of a scene could inspire an idea for a new project.
Jacquin: How are your introducing embroidery to the community in Barcelona?
Lylo: I
also am part of the Barcelona based collective “La Guerilla DeGanxet”, where we knit and embroider wonderful creations out in the
public by taking the yarn and thread bobbins out on the street of
Barcelona. Through our creations/projects we expose and tell stories
to protest or express messages that are important to the community. We usually knit or embroider on a large
scale with an XXL cross stitch, using the urban outdoor furniture and fences
or decorating an indoors staircase with geometric shapes made out of
yarn for special community events or editorial commissions.
Jacquin: What
has been your favorite embroidery design you created so far? Why?
Lylo: I
am currently working on a personal project (my favorite) that
consists of embroidering the street names where all the women in my
family lived or are still living onto pieces of garments used by
these women in my family. Each woman in my family gave me a piece of one of thier garments to use as my
canvas. The work is composed of numerous pieces, starting off with a
handkerchief of my great grandmother Maria who was from Sicily. She
was a brave woman in her time as she crossed the ocean to Argentina
alongside her two children to find a better future for her family.
Passing over to my grandmother Fina who decided to live her destiny
in Argentina, followed by my dear mother Alicia, who inherited the
gift of preparing delicious food and filling the hearts of her children with love, and last but not least ending with me, who is
constantly searching for new horizons here in Barcelona while staying connected to the heritage of my family.
Each
address is a typographic composition respecting the original type
fonts of the street names, as well as the other elements that
complement the composition, like the house numbers, the traffic
signals of the cities, the city and country they’ve lived in. I’ve
recompiled photographs taken from my recent travels back home,
visiting our old and new neighborhoods. I aim to keep a lineal sense
when building the compositions and transmit my emotions when
embroidering. I don’t like working on independent pieces, but
rather I prefer to include various elements to tell the story. As a
designer, I apply my vision so the composition and the colors used
have a meaning. I take it as embroidered typography.
From great
grandmother, to grandmother, to mother and to daughter...a generation
of women laced together by passion to find a home and be happy in it.
I really hope to someday exhibit this story in a gallery!
Jacquin: What
other things would you like to embroider in the future? Any
especially unique items that you would like to try embroidering?
Lylo: I
would really like to make audiovisuals and videos out of my embroidery pieces to create artwork and to teach. I would love to use embroidery to create animated works, for
example stop motion. I look forward to working on an audivisual collaboration with embroidery someday.
Jacquin: What would a perfect day be like for you?
Lylo: Embroidering
(of course!) Being outdoors…. near the beach or with a wonderful
view of the mountains.